supported by 16 fans who also own “Zisleithania (1912)”
The atmosphere of this album is fantastic. Makes you feel like you're knee-deep in the trenches drenched in mud, filth, sweat, and blood. Truly encapsulates the horrors of World War I, and the fact that the lyrics of some of the songs are taken from old war letters really adds to the authenticity.
Favorite Track(s): Die Feuertaufe, Grabenlieder edoerfler
supported by 13 fans who also own “Zisleithania (1912)”
La traversée du désert n'aura pas duré quarante jours mais quatre longues années...
Avec Панихида, Батюшка renaît enfin de ses cendres et, bien que désormais seul (ou plus exactement entouré de deux chanteurs), Христофор accomplit un miracle. Il s'inscrit dans la continuité de Литоургиiа avec un black metal orthodoxe qui nous convie ici à une cérémonie dédiée aux morts. Sa vision est englobante : les mélodies, la gravité et le silence font toucher le paradis ; l'agressivité est luciférienne. Jordan Vauvert
supported by 12 fans who also own “Zisleithania (1912)”
After listening to Ysyry Mollvün, listening to Downfall of Nur was urgent and turned out to be one of the best decisions I have made in quite some time: Umbras de Barbagia is simply magisterial; the atmosphere can hardly be compared to anything else. There is a deep, palpable connection to nature imbueing each very fibre of this record. The amalgamation of black metal and folk elements is done with a high intuition for detail and class, resulting in a highly immersive experience. Wonderful. David Fischer
supported by 12 fans who also own “Zisleithania (1912)”
As a lover of both Central European history and Black Metal alike, this album fulfils both of my expectations. A solid BM tape, an interesting way of retelling the story of almost forgotten wars, Emperors and generals from a time were Europe was still learning that we are all Brothers! Gabriel Tamas